Showing 51 - 75 of 450 postings found
Hearst Television is seeking a self-motivated news photojournalist to capture high-quality video and audio elements, edit content in Adobe Premiere, and execute live shots for multiple broadcast and digital stories.
Hearst Television is looking for a News Photographer to capture, edit, and execute creative live shots and packages for broadcast and digital platforms while following NPPA standards.
Disney is seeking a Distribution Operations Associate to coordinate with post-production teams and third-party vendors to ensure the accurate mastering and delivery of television titles for global archival and distribution purposes.
Company 3 is seeking an Executive Producer to oversee flame-focused post-production projects, manage strategic client relationships, and drive revenue growth for the finishing department.
NBCUniversal is looking for a Photojournalist to operate camera, sound, lighting, and editing equipment while responding to breaking news for NBC10 and T62.
NBCUniversal is seeking a forward-thinking storyteller to produce, write, and edit engaging news segments and live streaming content for their 24/7 digital platforms.
Nexstar is seeking a News Producer to produce daily newscast items, decide story order, write teases, and manage content across all broadcast and digital platforms.
Framestore is looking for a Compositing Supervisor to lead the compositing team, manage quality control of visual effects production, and contribute to the development of the 2D pipeline.
Company3 is seeking an experienced Producer to manage advertising projects from bid through delivery, coordinating workflows and maintaining communication between clients and internal technical teams.
Eyeline is looking for a Lead Surfacing Artist to manage artist schedules and deliver photorealistic textures for hard surface and organic models, environments, and hero creature assets.
Eyeline is seeking a talented and experienced Matte Painting Supervisor to lead the department in creating stunning, photorealistic environments and digital assets for high-end feature films and television productions.
Eyeline is looking for a VFX Coordinator to work alongside senior production staff and artists to ensure the seamless tracking and delivery of shots according to established targets and milestones.
Eyeline is seeking a Lead Rigger to design, develop, and maintain complex rigs for characters, vehicles, and environments while mentoring team members and collaborating on studio-wide VFX pipeline tools.
Eyeline is looking for a VFX Digital Production Manager to assist the VFX Producer in managing projects, maintaining deliverable schedules, and mentoring coordinators to ensure production goals are met.
Eyeline is looking for an Environment Lead to manage the team and oversee the creation of photo-realistic 2D and 3D environments and concepts for live-action feature films and television.
Eyeline is looking for a Lead Modeler to execute poly modeling skills for environments, vehicles, props, and characters with an emphasis on photorealism and technical troubleshooting within the in-house pipeline.
Eyeline is seeking a Lead FX Artist to create high-caliber dynamic visual 3D effects and troubleshoot technical and artistic issues to meet client requirements and production deadlines.
Eyeline is looking for a Lead Lighting Artist to collaborate with the supervision team, mentor artists, and design lighting for complex scenes to deliver high-end photo-realistic CG characters and environments.
Eyeline is looking for a Lead Matte Painter to create photorealistic 2D and 3D matte paintings to embellish or replace live-action footage in feature films.
NBCUniversal is seeking a Content Producer to write, edit, and line-produce newscasts while collaborating with newsroom teams to deliver accurate coverage across all WCAU platforms.
Eyeline is looking for an Animation Supervisor to oversee the day-to-day operations of the animation department and expedite high-quality, photo-realistic character and creature animations.
Eyeline is looking for a CG Supervisor to oversee day-to-day show operations, ensure clear communication within the 3D team, and maintain artistic cohesion with the client alongside the VFX Supervisor.
Eyeline is looking for a Lead CFX Artist to manage a team of groom artists and oversee the creation of high-quality hair, fur, and feather assets for characters and creatures.
Eyeline is seeking a Compositing Supervisor to oversee the compositing team and ensure high-quality visual effects deliveries by resolving creative and technical challenges through expert production methodologies.
Eyeline is looking for a Lead Compositor to set the standard for high-quality composite shots and ensure visual consistency across sequences for feature film and episodic projects.