Showing 126 - 150 of 470 postings found
Hearst Television is seeking a self-motivated news photojournalist to capture high-quality video and audio elements, edit content in Adobe Premiere, and execute live shots for multiple broadcast and digital stories.
Hearst Television is looking for a News Photographer to capture, edit, and execute creative live shots and packages for broadcast and digital platforms while following NPPA standards.
Company 3 is seeking an Executive Producer to oversee flame-focused post-production projects, manage strategic client relationships, and drive revenue growth through proactive sales efforts and project bidding.
NBCUniversal is looking for a Photojournalist to operate camera, sound, lighting, and editing equipment while responding to breaking news for NBC10 and T62.
NBCUniversal is seeking a forward-thinking storyteller to produce, write, and edit engaging news segments and live streaming content for their 24/7 digital platforms.
Nexstar is seeking a News Producer to produce daily newscast items, decide story order, write teases, and manage content across all broadcast and digital platforms.
Framestore is looking for a Compositing Supervisor to lead the compositing team, manage quality control of visual effects production, and contribute to the development of the 2D pipeline.
Eyeline is looking for a Lead Surfacing Artist to manage artist schedules and deliver photorealistic textures for hard surface and organic models, environments, and hero creature assets.
Eyeline is seeking a talented and experienced Matte Painting Supervisor to lead the department in creating stunning, photorealistic environments and digital assets for high-end feature films and television productions.
Eyeline is looking for a VFX Coordinator to work alongside senior production staff and artists to ensure the seamless tracking and delivery of shots according to established targets and milestones.
Eyeline is seeking a Lead Rigger to design, develop, and maintain complex rigs for characters, vehicles, and environments while mentoring team members and collaborating on studio-wide VFX pipeline tools.
Eyeline is looking for a VFX Digital Production Manager to assist the VFX Producer in managing projects, maintaining deliverable schedules, and mentoring coordinators to ensure production goals are met.
Eyeline is looking for a Lead Modeler to execute poly modeling skills for environments, vehicles, props, and characters with an emphasis on photorealism and technical troubleshooting within the in-house pipeline.
Eyeline is looking for an Environment Lead to manage the team and oversee the creation of photo-realistic 2D and 3D environments and concepts for live-action feature films and television.
Eyeline is seeking a Lead FX Artist to create high-caliber dynamic visual 3D effects and troubleshoot technical and artistic issues to meet client requirements and production deadlines.
Eyeline is looking for a Lead Lighting Artist to collaborate with the supervision team, mentor artists, and design lighting for complex scenes to deliver high-end photo-realistic CG characters and environments.
Eyeline is looking for a Lead Matte Painter to create photorealistic 2D and 3D matte paintings to embellish or replace live-action footage in feature films.
Eyeline is looking for an Animation Supervisor to oversee the day-to-day operations of the animation department and expedite high-quality, photo-realistic character and creature animations.
Eyeline is looking for a CG Supervisor to oversee day-to-day show operations, ensure clear communication within the 3D team, and maintain artistic cohesion with the client alongside the VFX Supervisor.
Eyeline is looking for a Lead CFX Artist to manage a team of groom artists and oversee the creation of high-quality hair, fur, and feather assets for characters and creatures.
Eyeline is seeking a Compositing Supervisor to oversee the compositing team and ensure high-quality visual effects deliveries by resolving creative and technical challenges through expert production methodologies.
Eyeline is looking for a Lead Compositor to set the standard for high-quality composite shots and ensure visual consistency across sequences for feature film and episodic projects.
Eyeline is looking for a Lead Animator to create high-quality character, creature, and object animations for feature films while supporting the team with technical and artistic solutions.
Eyeline is seeking a Lead Matchmove Artist to complete senior-level tasks and provide 3D solutions that precisely recreate the movement and technical aspects of subject matter while mentoring a facility team.
Eyeline is looking for a Modeling Supervisor to oversee the artistic and technical quality of 3D models while managing the modeling team and establishing production workflows.